Alumnus'
Artistry Promotes The Creativity of Hollywood
BY GAIL MATSUNAGA
From designing theater brochures
during his undergraduate days, to overseeing the gigantic
“Charlie and the Chocolate Factory” ads
wrapped around multistory buildings around the world,
Jeff Bacon (B.A. art ’80) has used his creativity
to promote and market the creative efforts of Hollywood.
Among the classic and popular titles he
has designed materials for are “9 to 5,”
“Superman II,” “Home Alone,”
“Look Who’s Talking,” “Edward
Scissorhands” and the “Lethal Weapon”
series. In addition, he has collaborated with Steven
Spielberg (“Poltergeist,” “Back to
the Future,” “Batteries Not Included,”
“Goonies”), Ridley Scott (“Matchstick
Men,” “Gladiator”) and Arnold Schwarzenegger
(“Total Recall,” “Conan the Barbarian,”
Terminator 2,” “True Lies” and “Eraser”).
Early in his career, Bacon helmed his
own design company, then joined forces with former Titan
roommate John O’Brien (B.A. art ’79, M.A.
art-graphic design ’81) in 1988 to form Bacon
O’Brien Design. A few years later, they co-founded
the audio/visual design group Cimarron/Bacon/O’Brien,
where Bacon was creative director. In 1998, he and O’Brien
sold their partnership, and Bacon went on to create
Glendale-based IdeaSpa Design & Marketing.
When he merged with Creative Domain, an
integrated entertainment marketing and advertising agency,
in 2002, he decided “that I wanted to stick to
the creative side of the fence, rather
than deal with book keeping, tax collecting, etc.”
Bacon is the company’s
executive vice president/creative and “oversees
theatrical and video game collateral and print materials.
Any kind of outdoor, in-theater and in-store packaging
to help sell and announce the product, domestically
and internationally.”
In addition to his
theatrical assignments, Bacon has worked on and with
such projects and clients as the Broadway musical “Wicked,”
the 2004 Tony Awards, the Special Olympics, Nissan,
Fox Sports and the Producers Guild of America.
Throughout, he has
encouraged and promoted the talents of Fullerton students
and alumni.
“Jeff has always kept in touch with the Art Department
and has always opened his studios to graphic design
students for internships,” says Jerry Samuelson,
dean of the College of the Arts. “The list of
our graduates that he has mentored and given their start
in the business is evidence of his commitment to Cal
State Fullerton and his willingness to give back to
the university.”
Perhaps Bacon’s
loyalty to his alma mater can be traced back to his
college days, where he was able to build his portfolio
by working on theater brochures, mailers and other collateral
materials, in addition to working at the Associated
Students print shop.
“Jeff was in
school before computers were common in the classroom,”
explains Samuelson, “so what I remember most is
the effort he put into his portfolio to show very finished
projects. It was the most professional student portfolio
that I had ever seen in my teaching career.”
Bacon credits Samuelson
for “kind of looking after us. We nicknamed him
‘Uncle Jerry,’ because we felt he was like
family. In class, we’d look at each other’s
work and say, ‘I don’t know if Uncle Jerry
is going to like that one.’”
He also points to Larry
Johnson, chair and professor of art, for “creating
a strong network of graphic designers from Cal State
Fullerton.”
This solid foundation
of artists underscores the university’s formidable
showing in the student competition of the Hollywood
Reporter’s annual Key Art Awards—which salutes
achievements in motion picture marketing and advertising.
Created and chaired by Bacon, the contest receives nearly
400 submissions from more than 45 colleges and design
schools, with Cal State Fullerton students consistently
among the top three finishers in the two categories.
The judging, says Bacon, is conducted anonymously—none
of the entries are identified during the process.
In the works for Bacon
are the highly anticipated “Harry Potter and the
Goblet of Fire” and Tim Burton’s “Corpse
Bride.”
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